Tag Archives: Shakespeare

Sunday

Stephen Sondheim died on Friday November 26th. ‘91 year old man dies peacefully in his sleep’ is not unexpected news. But the impact was great, and in a small way I shared it. Others will be able to articulate the … Continue reading

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Connexions

In the midst of what, for convenience, I’ll call the ‘second lockdown’ I have rejected Zoom. My head recognises its benefits, but my heart has rebelled. 

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Much Posessed by Death

I had a half-written blog and was resisting its completion because I felt that I’d written enough about mourning and mortality.  Then, this week, I learned that my first boyfriend had died, just days short of his 56th birthday, and … Continue reading

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Meet and greet

What does an hour and a half watching Mark Rylance dressed in a bright orange puffed jacket clowning and making snow angels on stage actually give me, apart from pleasure? Continue reading

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Quick now, here, now, always.

Moving to London meant leaving my job – obviously – and I am searching for work.  Writing applications is laborious (oh, the irony that hunting for work is itself hard work) and disquieting.  I cannot know how long this process … Continue reading

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Masters, look to see a troublous world

As I tried to find some way to comprehend the US Election result, Richard III came to mind.   I do not suggest that Trump is as evil, or as intelligent, as Shakespeare’s Richard; I wondered rather about the circumstances which allow … Continue reading

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A birthday thank you letter

On this, his 450th birthday, I would like to say thank you to William Shakespeare. As a suggestion of what Shakespeare has given us all, I do not think Bernard Levin can be bettered:  Shakespeare’s language permeates and shapes our … Continue reading

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Inspiration

Last year, my theatre-going declined, for a number of reasons I won’t go into here. The gap was, to some extent, bridged by the NT Live re-broadcasts and our autumn was spent revisiting the past: A Habit of Art, Frankenstein, … Continue reading

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Know the meaning of enough

Last week we listened to Chris Wood, a wonderful folk singer/songwriter who, through his performance style, takes unassuming to an art form.

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Pass it on

I was trying to write a blog contrasting quantitative and qualitative approaches to research and posed the example question “Why has Nick Hytner been good for the National Theatre?”.  Quantitatively, one would look at revenue and audience numbers, but the post was entirely hijacked by … Continue reading

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