The Mad Woman in the Attic

Sometimes I dream of being in a familiar house, opening a door and finding a forgotten room. This is a common dream theme, a recurrent trope. The discovery brings with it with a strange small mis-step lurch of emotion: how can I have overlooked this so completely? To mis-apply Eliot, weknow and do not know’ the space: it is both a new, fresh opportunity and also restoration of something long lost. It’s slightly magical. Eliot again:

Footfalls echo in the memory
Down the passage which we did not take
Towards the door we never opened

TS Eliot Burn Norton

In the dream, as in the poem, this time we follow the path, we open the door or, in my case, we climb the staircase.

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Portway

At the top of our road is a thoroughfare named Portway. It heads roughly east to west, with houses and side roads along its southern edge and West Ham Park bordering to the north. This park was originally part of the Upton Park/Ham House estate, where, in the 18th century, Dr John Fothergill created a botanical garden ‘second only to Kew’. Alongside the wide green open spaces, the football pitches and sports areas and playgrounds, all essential parts of a living, vital community resource and sanctuary – in other words, of an urban park – there is an ornamental garden, where remain traces of the design and layout of Dr Fothergill’s garden, with trees planted by him. The ornamental garden is, to me, the heart of this haven in east London.

The gate we use to go into the park – the one nearest to our house, also closest to the ornamental gardens – is designated Portway Gate.

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Sunday

Stephen Sondheim died on Friday November 26th. ‘91 year old man dies peacefully in his sleep’ is not unexpected news. But the impact was great, and in a small way I shared it. Others will be able to articulate the richness, the complexity and masterfulness of Sondheim better than I can. I think comparisons with Shakespeare are both inevitable and appropriate. And this from me who, generally, doesn’t really like musicals.

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Staying, still

Sometimes we know when we are about to create significant memories:  a marriage vow, a graduation, a last visit to the vets.  But other times they creep up on us and only that wise counsellor, hindsight, recognises significance.  So with us, walking along the South Bank, for a purpose I cannot remember, maybe 15 years ago, when I said ‘I wouldn’t like to live in London with a young family but perhaps, when the children have left home, a little flat near the centre might be fun’. 

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How does it make you feel?

‘Our possessions outlast us, surviving shocks that we cannot; we have to live up to them, as they will be our witnesses when we are gone. In this room are the goods of people who no longer use them’

Hilary Mantel, The Mirror and the Light pp66-67

I like change, but I approach it crabwise and incrementally. I sidle up, try to consider it from all angles. I review and rehearse each step, until that one feels comfortable, and I can look towards the next. I am easily alarmed, and superstitious, and like time to adjust. Since March, however, the pace has been disconcerting, the big conceptual shifts overlaid with urgent practical tasks.

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If I knew you were coming

I made a cake at the weekend.  I don’t often bake these days but it was my son’s birthday and traditions are reassuring.  My mixing bowl is a Mason Cash – you know the type, surely in the UK it is the ur-mixing bowl of mixing bowls. Continue reading

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In My Mind’s Eye

Another national lockdown returns me to Dickens.  I have written already about the reassurance and pleasure provided through long novels.  Good audiobook versions are my substitute for live theatre:  more than anything else, this is where I can find compensation for the things I miss – shared space, face to face interaction.  Headphones increase the intimacy, encouraging and enabling the retreat from the outside world and full immersion into a new one.

I am a re-reader as much as I am a reader – I love revisiting works, rejoicing in both the deep pleasure of the familiar and in the always-to-be-found thrill of something new, something overlooked last time or simply striking afresh because I – or my circumstances – have changed.  At the moment it’s Nicholas Nickleby (again) which means just me and Alex Jennings inside my head. 
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Connexions

In the midst of what, for convenience, I’ll call the ‘second lockdown’ I have rejected Zoom. My head recognises its benefits, but my heart has rebelled.  Continue reading

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Retrospective

I’ve started reading Barney Norris’ The Vanishing Hours. The first few pages are exquisite, and chime so strongly with my current mood that I’m just going to quote from them:

I thought if I could record all the beauty that I had witnessed, every image that had made me feel like my days were worth having, then maybe others…would be encouraged…to see past the things that beset them and look out for beauty. I would have loved to have found a book like that.

Beat the DevilThis blog is also a companion piece to Anticipation.  Against all expectations,  September and October were measured out in Bridge Theatre visits.  Continue reading

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Anticipation

‘Twas the night before Christmas, when all through the house

Not a creature was stirring, not even a mouse’

The Night Before Christmas By Samuel Clemens

In the library at my primary school, there was a book which contained just this poem – a verse per page, gloriously illustrated.   I was enchanted, and learned the poem by heart.  I don’t say I can quite remember it all still, but a fair chunk still remains. I love the opening couplet and its suppressed moment of stillness and waiting; as I’ve said before, I gain much pleasure from looking forward to things, sometimes as much or more than the event itself. Continue reading

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